fork and plate

Fork Screech Analysis

by Barry McKinnon

As featured on CBC Radio's Basic Black October 7/2000
Listen to the interview in RealAudio format


Precis

The phenomena of fork screech, or fingernails on a blackboard, are well known agitators of humankind. This seems to be some fairly basic human response to the sound quality of a semi-rigid cantilever being excited periodically or aperiodically along the plane of minimal rigidity. Whether that is a throwback to the response to the sound of sabre tooth tiger nails on a rock or some even more primitive fear, it is hard to guess. In the interest of categorizing this sound character, a test procedure was established using three types of plates, with three different surface finishes, and five types of stainless steel forks of varying cross-section and tine length. A Techron TEF 12 analyser was used to capture FFT spectra of the fork screech. In all cases the screech was achieved on a forward thrust of the fork, the most common social faux pas condition. While the pressure on the fork did vary the spectrum and the amplitude of the resulting screech, a method and fork/plate attitude was determined to optimize the output level of each combination. This did not always result in the most distressing screech, but did provide the most consistent output. The graph data may not convey the true nature of the screech, the reader may add a visceral sense to the consideration of this report by chewing on a piece of aluminum foil while viewing the data.

Screech Test Materials

The plates chosen for this test were; Type 1, Corelle; Type 2, stoneware and Type 3, glass. The Corelle plate is very resonant, a byproduct of a thin cross-section along with a material having a high work of fracture. This plate has a relatively smooth, low friction surface. The Stoneware was considerably less resonant, being thicker. The surface was less smooth than the Corelle and less uniform. The Stoneware produced the most distressing screech of the three. The Glass plate was quite thick and non-resonant, but with a very smooth surface.

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The forks were of widely varying construction. Type A was a very thin metal with short tines, slightly curved in profile. This fork was of noticeably flimsy construction. Type B was a substantial thickness with long slightly curved tines, the quality of punching was poor, however, leading to tines of differing tip area. Type C was a heavy metal punching, with medium length tines that were straight in profile. Type D was an Air Canada fork, with short curved tines of substantial thickness. Type E was a medium weight metal with tines of minimal curvature and of varying length, having an extra deep centre cutaway.

Screech Test Data

The test data is shown with each fork type (A,B,C,D,E) and a single plate type (1, 2, 3) for comparison. The display shows the time domain view of the sample and the frequency domain analysis of the screech. This demonstrates any overall periodicity in the screech signal, showing modulation, pure tone or a chaotic characteristics. It should be noted that the more chaotic the screech signal, the more distressing it was to hear.

The tests were made with a B&K 4007 microphone located approximately 4" (100mm) from the test surface. The TEF FFT was set for a 20kHz bandwidth, providing and FFT sample length of 7.77 milliseconds. The frequency display is linear with each horizontal division being l kHz.

Fork A

Test combination 1A:

fork screech thin fork and corelle plate

1A: This test combination of a thin fork and a Corelle plate produced a strong fundamental tone of approximately 4kHz with an overall modulation that produced some sidebands some 25dB lower in level.

Test combination 2A:

a real hackle raiser

2A:This test combination was noticeably chaotic. Note the extreme amount of energy at 5kHz, 8kHz, 9.2kHz and 12.5kHz. This was a real hackle raiser.

Test combination 3A:

really non-harmonic

3A:This test combination was extremely chaotic, showing several primary frequencies in non-harmonically related spacing. Note that there was a predominance of lower sideband material with each frequency group.

Fork B

Test combination 1 B:

This was a disturbing fork screech

1B:This test combination produced a fundamental of just over 3kHz with other significant centre frequencies and symmetrical sidebands. There was significant amounts of energy at 6.5kHz, 9.75kHz and 13kHz. This was a disturbing screech.

Test combination 2B:

really unpleasant

2B:This test combination was extremely chaotic. Note the wide band of energy extending from 3-7kHz and the significant peak at 12.5kHz. This was very unpleasant.

Test combination 3B:

women and dogs would be cringing

3B:This test combination produced a closely spaced pair of fundamental tones with an overall modulation that had upper and lower sidebands. Note the extension of harmonic content to 15.2kHz. This would have had the women cringing.

Fork C

Test combination 1 C:

this was not a pleasant screech

1C:This test combination produced a regular waveform with a fundamental of just below 1 kHz and high harmonic levels at 3kHz, 5.8kHz and 10.4kHz. This was not a pleasant screech.

Test combination 2C:

really distressing to listen to

2C:This test combination shows significant variation in pure tones changing over time. A significant amount of energy between 500Hz and 1kHz, a high level tone at 5kHz and harmonics at 12.4kHz and 15.1 kHz was distressing to listen to.

Test combination 3C:

low freq modulation evident

3C:This test combination produced a strong fundamental of 2kHz and a secondary at 5.9kHz. There is evidence of an overall envelope modulation and sidebands on the spectrum display.

Fork D

Test combination 1 D:

This was not a pleasant screech either

1D:This test combination produced strong intermodulation between two primary fundamental tones and a modulation. The first fundamental of 3.5kHz and the second of 10.7kHz have sidetones spaced at 1.2kHz. This was not a pleasant screech.

Test combination 2D:

hmmm... quite unpleasant

2D:This test combination produced 3 primary and two secondary peaks of energy, at frequencies of 1.3kHz, 4kHz, 5.2 kHz, 7.9kHz and 9kHz. The effect of this multi-tone screech were quite unpleasant.

Test combination 3D:

clear harmonic structure

3D:This test combination produced a strong fundamental tone at 9.5kHz with significant non-harmonic products from 2kHz to 7kHz, and again at 11.7kHz.

Fork E

Test combination 1 E:

overall modulation evident

1E:This test combination shows a combination of non-harmonically related tones and an overall modulating frequency. There was a large amount of energy at 4kHz with sidebands at 1.2kHz, 2.6kHz and 5.2kHz.

Test combination 2E:

very similar to the last one

2E:This test combination produced a spectrum very similar in frequency and level distribution to the previous measurement.

Test combination 3E:

yowch this was loud

3E:This test combination produced intermodulation products with the centre tones at 3- 4kHz and upper and lower sidebands, including a high level tone at 6and 8kHz.

Discussion

Overall the fork characteristics played a role in the frequency content of the signal. The thinner tines tended toward chaotic behaviour when excited by a higher friction surface such as the stoneware. Curved tines were more easily excited, and tend to produce more non-harmonic tones. The one fork with straight tines tended to display more pure tone and pure tone combination behaviour and was less prone to chaotic modes of vibration. The thick tines tend to reduce high frequency content of the signal, leading to much less distressing sounding screeches. In general, glass produced the most distressing noises, but stoneware was a big factor in the amount of energy produced centered at 4-5kHz and producing harmonics beyond 10kHz.

Conclusion

The most screech resistant combination of fork and plate is a fork of thick metal construction with a straight fork tine profile used on a stoneware plate. The worst case was a thin metal fork used on a glass plate, which produced the most chaotic and blood curdling screeches.

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